Underwater

Underwater

La Fotografia Subacquea: Esplorando un Mondo Sottomarino di Emozioni

La fotografia subacquea è la mia grande passione! Mi rapisce completamente e mi catapulta in un mondo affascinante, fatto di ritratti che prendono vita nell’oceano infinito. Quest’arte unica mi affascina e gratifica in modo indescrivibile, perché mi offre l’opportunità di creare immagini che toccano le corde più intime dell’anima, combinando la grazia sublime delle persone con la maestosità imponente delle onde.

Inspiration

Un Tesoro di Scenari Sottomarini

Quando scendo nel mondo sottomarino, mi si apre davanti un vero tesoro di scenari naturali che rendono le mie immagini uniche. Le spiagge dorate, gli scogli possenti, le onde che ballano e i tramonti sfavillanti sono solo alcune delle meraviglie che abbraccio per creare un’atmosfera mozzafiato nei miei scatti sottomarini.

La Magia di Luce e Colori

La luce è la mia alleata nella fotografia subacquea.

Sotto le onde, i colori si trasformano e la luce si fa magica. Le sfumature di blu e verde si mescolano creando un’atmosfera incantata. Capire come sfruttare la luce a mio vantaggio è fondamentale per ottenere immagini spettacolari. Posso catturare i raggi di sole che si riflettono sulla superficie dell’acqua, illuminando i soggetti sott’acqua con una luce celestiale. Questi giochi di luce conferiscono un’aura di mistero e bellezza alle mie foto, regalandomi un tocco magico.

Un’Avventura con Sfide da Affrontare

In conclusione, la fotografia subacquea è un’avventura entusiasmante che mi catapulta in un mondo sconosciuto di bellezza e mistero. Esplorare le profondità marine, affrontare le sfide tecniche e catturare immagini straordinarie sono solo alcune delle ricompense di questa forma d’arte. Sono pronto a immergermi, a lasciarmi affascinare dalla magnificenza degli oceani e a catturare momenti unici che lasceranno un segno nel cuore di chi li osserva.

Customers Reviews

Life Underwater in ROCA

Life Underwater in ROCA

Fotografia Subacquea: Un Viaggio nel Mondo Sommerso

Life Underwater: L’eleganza Sottomarina

L’Incantevole Ragazza in Abito a Fiori: Un’Eleganza Immersa nell’Adriatico

Nel cuore del mar Adriatico, tra le rovine di Roca Vecchia e i riflessi di luce filtranti dalla superficie, si nasconde un mondo straordinario. “Life Underwater” è un progetto fotografico che cattura la magia della fotografia subacquea e l’eleganza di una giovane donna.

La fotografia subacquea è un’arte unica, in grado di catturare l’essenza di un mondo nascosto sotto la superficie. Questo progetto ha l’obiettivo di celebrare la grazia e la forza dell’acqua, insieme all’eleganza intrinseca di una modella che sfila sotto le onde.

Name: Life Underwater
Location: Roca Vecchia
Our Role: Photo, Lifestyle
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Nel cuore di “Life Underwater”

troviamo una ragazza affascinante, vestita con un abito lungo a fiori che si muove con eleganza nell’ambiente acquatico. L’abito, con i suoi tessuti leggeri e i petali colorati, diventa un’opera d’arte in sé, creando contrasti straordinari con l’acqua circostante.

La fotografia subacquea cattura ogni dettaglio, dal movimento dei tessuti all'ondulazione dei capelli.

La fotografia subacquea

Mentre la modella si immerge nelle profondità del mare,

rivela un mondo segreto. I colori diventano più intensi, e la luce gioca con l’acqua, creando effetti visivi unici. Ogni scatto è una rappresentazione della grazia sottomarina, e la ragazza sembra una sirena moderna, incantatrice e affascinante.

Life Underwater non è solo una serie di immagini;

E' una storia che si svela nel mare di Roca Vecchia.

Ogni foto racconta di un mondo sconosciuto, di una bellezza nascosta, e della capacità dell’uomo di unirsi a questa bellezza.

In conclusione

LIFE UNDERWATER

è una celebrazione della forza e della grazia dell’acqua, un omaggio alla bellezza intrinseca della natura e un’ode all’arte dell’esplorazione sottomarina. La ragazza in abito a fiori incarna l’eleganza che risiede nelle profondità del mare, ed è un’ispirazione per tutti noi, spingendoci a scoprire le meraviglie nascoste al di sotto della superficie.

Bombs Fall – Syria

Bombs Fall – Syria

Fotoreporter in Syria: "Bombs Fall"
Cadono le Bombe

Cronache dal Caos: Uno Sguardo Dall'Obiettivo della Mia Fotocamera

Guardando la Guerra nei Volti dei Syriani:

Sono stato un fotoreporter in Syria nei primi anni del conflitto

quando il mondo era appena iniziato a rendersi conto della devastazione che si stava abbattendo su questa terra martoriata. Il mio progetto, intitolato "Bombs Fall", cerca di raccontare questa terribile realtà attraverso un'ottica inusuale.
Name: Bombs Fall
Location: Syria
Our Role: Reportage, War
Quando si parla di guerra in Syria, spesso ci si concentra sugli orrori, sui morti e sulla distruzione. Ma volevo raccontare una storia diversa.
Danilo DOM Calogiuri
Ho deciso di focalizzarmi sulle persone comuni che si sono trovati a vivere in un mondo sconvolto dalla violenza.
Come fotoreporter in Syria, ho affrontato il compito di catturare l'umanità in mezzo al caos. Le mie fotografie non mostrano morti o scene di battaglia, ma piuttosto ritraggono bambini, combattenti o gente comune, i loro volti colmi di emozioni e terrore, mentre osservano le bombe cadere dal cielo.

Il progetto "Bombs Falls" è una testimonianza di vulnerabilità

Le fotografie mostrano la vita quotidiana tra le bombe, tra le macerie, tra la paura costante. I bambini imparano a vivere con il suono assordante delle esplosioni come colonna sonora della loro infanzia. Ma nonostante tutto, riescono ancora a trovare momenti di gioco tra le macerie e i carri abbandonati.

Il mio ruolo come fotoreporter in Syria è stato quello di testimone di questa realtà complessa e crudele, senza giudicare né prendere posizione. Ho voluto mostrare l'umanità in una situazione inumana, cercando di far riflettere il mondo sulla devastazione causata dalla guerra.

Bombs Fall

un reportage di Danilo DOM Calogiuri

Automotive

Automotive

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy’s parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with Hour sacks and, furled, it looked like the flag of permanent defeat.

The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its eflection on the tropic sea were on his cheeks.The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.

Graphic and web design is our business. We attach great importance to ‘craftsmanship’
Steve Jobs

They picked up the gear from the boat. The old man carried the mast on his shoulder and the boy carried the wooden box. with the coiled, hard-braided brown lines, the gaff and the harpoon with its shaft. The box with the baits was under the stem of the skiff along with the club that was used to subdue the big fish when they were brought alongside. No one would steal from the old man but it was better to take the sail and the heavy lines home as the dew was bad for them and, though he was quite sure no local people would steal from him, the old man thought that a gaff and a harpoon were needless temptations.

They walked up the road together to the old man’s shack and went in through its open door. The old man leaned the mast with its wrapped sail against the wall and the boy put the box and the other gear beside it. The mast was nearly as long as the one room of the shack. The shack was made of the tough budshields of the royal palm which are called guano and in it there was a bed, a table, one chair.

This is one of those moments when we are influencing the future.

On the brown walls of the flattened, overlapping leaves of the sturdy fibered guano there was a picture in color of the Sacred Heart of Jesus and another of the Virgin of Cobre. These were relics of his wife. Once there had been a tinted photograph of his wife on the wall but he had taken it down because it made him too lonely to see it and it was on the shelf in the corner under his clean shirt.

Videoclip & Film

Videoclip & Film

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy’s parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with Hour sacks and, furled, it looked like the flag of permanent defeat.

The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its eflection on the tropic sea were on his cheeks.The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.

Graphic and web design is our business. We attach great importance to ‘craftsmanship’
Steve Jobs

They picked up the gear from the boat. The old man carried the mast on his shoulder and the boy carried the wooden box. with the coiled, hard-braided brown lines, the gaff and the harpoon with its shaft. The box with the baits was under the stem of the skiff along with the club that was used to subdue the big fish when they were brought alongside. No one would steal from the old man but it was better to take the sail and the heavy lines home as the dew was bad for them and, though he was quite sure no local people would steal from him, the old man thought that a gaff and a harpoon were needless temptations.

They walked up the road together to the old man’s shack and went in through its open door. The old man leaned the mast with its wrapped sail against the wall and the boy put the box and the other gear beside it. The mast was nearly as long as the one room of the shack. The shack was made of the tough budshields of the royal palm which are called guano and in it there was a bed, a table, one chair.

This is one of those moments when we are influencing the future.

On the brown walls of the flattened, overlapping leaves of the sturdy fibered guano there was a picture in color of the Sacred Heart of Jesus and another of the Virgin of Cobre. These were relics of his wife. Once there had been a tinted photograph of his wife on the wall but he had taken it down because it made him too lonely to see it and it was on the shelf in the corner under his clean shirt.

Big Wave – Nazarè

Big Wave – Nazarè

Kindness

Inspiration for every day

Graphic and web design is our business. We attach great importance to ‘craftsmanship’, but also to service and prompt delivery. Our past partners – whether they be the government, trend-setting companies.

Our team is both close-knit and ultra-professional. And we are not merely interested in form – content and meaning are just as important. Everything that we do has a strategic purpose.

Graphic and web design is our business. We attach great importance to ‘craftsmanship’
Name: Kindness
Client: NY Community
Our Role: Photo, Web
Tags: Print, Branding, Photo, Logo
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Our God is a Surfer – Gaza & Israele

Our God is a Surfer – Gaza & Israele

Colorful Pineapples

Graphic and web design is our business. We attach great importance to ‘craftsmanship’, but also to service and prompt delivery. Our past partners – whether they be the government, trend-setting companies.Our team is both close-knit and ultra-professional. And we are not merely interested in form.
Name: Colorful Pineapples
Client: NY Community
Our Role: Art, Web
Tags: Branding, Photo, Logo
Branding is one of the most important aspects of any business, large or small, retail or B2B.
James Folk
They picked up the gear from the boat. The old man carried the mast on his shoulder and the boy carried the wooden box. with the coiled, hard-braided brown lines, the gaff and the harpoon with its shaft. The box with the baits was under the stem of the skiff along with the club that was used to subdue the fish
They walked up the road together to the old man's shack and went in through its open door. The old man leaned the mast with its wrapped sail against the wall and the boy put the box and the other gear beside

The Locals

The Locals

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy’s parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with Hour sacks and, furled, it looked like the flag of permanent defeat.

The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its eflection on the tropic sea were on his cheeks.The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.

Graphic and web design is our business. We attach great importance to ‘craftsmanship’
Steve Jobs

They picked up the gear from the boat. The old man carried the mast on his shoulder and the boy carried the wooden box. with the coiled, hard-braided brown lines, the gaff and the harpoon with its shaft. The box with the baits was under the stem of the skiff along with the club that was used to subdue the big fish when they were brought alongside. No one would steal from the old man but it was better to take the sail and the heavy lines home as the dew was bad for them and, though he was quite sure no local people would steal from him, the old man thought that a gaff and a harpoon were needless temptations.

They walked up the road together to the old man’s shack and went in through its open door. The old man leaned the mast with its wrapped sail against the wall and the boy put the box and the other gear beside it. The mast was nearly as long as the one room of the shack. The shack was made of the tough budshields of the royal palm which are called guano and in it there was a bed, a table, one chair.

This is one of those moments when we are influencing the future.

On the brown walls of the flattened, overlapping leaves of the sturdy fibered guano there was a picture in color of the Sacred Heart of Jesus and another of the Virgin of Cobre. These were relics of his wife. Once there had been a tinted photograph of his wife on the wall but he had taken it down because it made him too lonely to see it and it was on the shelf in the corner under his clean shirt.

ONDE

ONDE

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy’s parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with Hour sacks and, furled, it looked like the flag of permanent defeat.

The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its eflection on the tropic sea were on his cheeks.The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.

Graphic and web design is our business. We attach great importance to ‘craftsmanship’
Steve Jobs

They picked up the gear from the boat. The old man carried the mast on his shoulder and the boy carried the wooden box. with the coiled, hard-braided brown lines, the gaff and the harpoon with its shaft. The box with the baits was under the stem of the skiff along with the club that was used to subdue the big fish when they were brought alongside. No one would steal from the old man but it was better to take the sail and the heavy lines home as the dew was bad for them and, though he was quite sure no local people would steal from him, the old man thought that a gaff and a harpoon were needless temptations.

They walked up the road together to the old man’s shack and went in through its open door. The old man leaned the mast with its wrapped sail against the wall and the boy put the box and the other gear beside it. The mast was nearly as long as the one room of the shack. The shack was made of the tough budshields of the royal palm which are called guano and in it there was a bed, a table, one chair.

This is one of those moments when we are influencing the future.

On the brown walls of the flattened, overlapping leaves of the sturdy fibered guano there was a picture in color of the Sacred Heart of Jesus and another of the Virgin of Cobre. These were relics of his wife. Once there had been a tinted photograph of his wife on the wall but he had taken it down because it made him too lonely to see it and it was on the shelf in the corner under his clean shirt.